One can get to Degrees by Radian, but there is no direct relation from Radians to Sine and Cosine. As in, there is no way to get to Sine and Cosine algebraically, therefore, Cosine and Sine must be memorized. The reason for this, is Cosine and Sine work off of 90 Degrees, or 1/2π, and Radians are in base Pi, Degrees in base 360, and Sine and Cosine are in Base 1. Meaning, you can only know the ratios of Sine and Cosine by already having the exact measurements, and not by working through it algebraically. For transitioning from Base π to base 360 to Base 1, I must stop you there, because Base 1 must be described by the axiom of the shape itself, and only its axiom. What is in Base 1 only can be described in Base 1, because anything beyond it skews it by exponentiations.

My process.

First thing I do, is I wake up. I drink a cup of coffee or two. I put on Bob Ross and watch him paint a picture. Then, I get up off the couch, and go on quora and write about a dozen answers. I watch a few videos on YouTube (always educational). And then I take a walk. Sometimes at the State Park, sometimes through my neighborhood, sometimes instead of a walk, I drive. I get a Coca-Cola, or I quaff a couple of cups of Green Tea.

During this whole time period, I do intense amounts of thinking. Delusions? They become fodder for my poetry. Delusions which turned out to be true? Also fodder for my poetry. Lol. I just imagine things, and let my mind wander through the entire corpus of what I’m trying to figure out. A lot of intense thinking.

Normally, there’s a subject for the day. I do the same thing I did as a youth, when I ran around in the basement, and played war with a stick. Only now, I take walks and drives, and think. Really think. Like, I’m talking intense thinking. Everything I do think about, turns into fodder for a poem.

And at that point, after writing dozens of Quora Answers, after arguing with people in comments sections, after watching a few educational videos—every now and then I read a chapter or two of a book, or I read an essay or a poem suggested to me through coincidence—I get an intense thought. And that intense thought is what all the previous wandering and working was done.

Now, granted, I might write about 10,000 words a day. So, remember that. So, when I finally do set down to write my poem, all that subconscious energy gets focused into one point. One solitary point. And that focus becomes a poem. Could be a good poem. Could be a bad poem. Could be a villainous masterpiece, it could be a saintly excursion. Maybe a Character comes to mind, a metaphor, a moral, a synthesis. Sometimes material is working through me for years before I set down and write it.

But, when I do, the poem usually gets written pretty quick. It just comes from the tip of my thoughts. It comes from spontaneous exertion. It just writes itself, it seems. That after lots of practice. And, once that is done, I put the poem into a selection, which then gets boiled into another selection for my books. As composing the poems into comprehensible larger works is part of the joy. Arranging my poetry is half the fun of writing it. I love arranging poems, and fitting themes together.

But then, there is this moment while writing it, where the idea comes. It just comes. It’s this strong, lucid idea, and it just spontaneously arrives, usually after a lot of walking. As I walk, I compose the themes—because I’m very imaginative when I walk… My body has to be moving for it to do its deepest thinking—and I start to compose verses, which usually don’t get remembered fully, except in a subconscious block. I’ll compose poems while I walk, sort of like Wordsworth used to do. I go over the themes, and I compose it mentally, building a framework—-or sometimes if it’s a longer piece, I’ll write a plot map, and usually follow it loosely—and then, suddenly, I begin to write. And then the finished poem arrives. And I edit it, and I read it, and I wait while writing it, until it gives me that moment of perfect peace. When the poem feels peace, I finish. Sometimes I choose a poetic form—like just recently I did a blitz, which was probably the hardest poetic form I ever wrote in, coincidently, due to the lack of grammar it was hard to keep focus on using no punctuation while also keeping the strict poetic form, which I broke in true fashion as that type of form is meant to be broken; it’s in the spirit of the poets who made it—and I move onto the next piece. After about a hundred or so poems are finished, I compose them into books of poetry, arranging them by their quality. I don’t say any of my poems are poor quality, but put them next to some of my other poems, it doesn’t flow right, so it has to go with poems that are like other poems. Arranging them is fun, actually. I get a lot of joy out of arranging the pieces as much as writing them, because I can flesh out stories better and mould themes more concretely, whereas when the poem first comes out, it sort of fits randomly. But, I have the poems in their original compositions and order on my blog.

But, that’s how.

Finding Sine

First convert degrees to radians.

1/57.2958 x/y

Where y is the Degree and x is the Variable of the Radian you're trying to figure. Cross multiply.

For Sine

1/.9069 x/y

And here is the base number for one radian. So you would put the radian, converted from degrees, into the x, and the y will be the actual fraction the degree is equal to.

So one radian is equal to .9069.

Doesn't work. Because it's two different base number systems.

But converting Degrees to Radians does. Since it converts the Base Pi to the Base 180.

Basically, sine and cosine has to be memorized, or physically constructed to work.

Also, the arc of the curve, on Sine and Cosine, makes the result different, as it only forms to the basis of a Right Triangle's Geometry from a radius. Meaning, it cannot be derived this simply.

With discipline, comes high mastery. Regard, there is no skill that is not hard won. There is no trade, that hasn’t its secrets. Acquire wisdom, and listen to the rebuke of the affectionate master, but scorn the folly of the scoffing fool. Fear not to be told over and over again, where your strike had not made a perfect weld. Practice your swing 10,000 times, and you shall make the steel good. So it is, harden the body to do your work, and sharpen your tool. Take the blows of your mistakes, and shape a better weapon in the forge in the next day’s steel. Take the repeated blows, and take every one with a lesson. Know the secrets, and do not shun them. Do not think you can find them for yourself, for one master may find one secret, but a thousand masters found a thousand secrets. Learn and teach. Beware of those who speak blame, and those who claim to know, but know not the engines by which the craft is made. Yet, listen to he who is small, for he may be a great and mighty master himself, but has found small fortune. Do not pride yourself as a giant, like you know everything. Learn from every mistake. And be not proud toward your Master, nor a churl to your student. With love, rebuke, and with kindness shape the instrument.

[L]et’s put it this way. The trigonomic ratio exists regardless of whether you believe it does or not. So does Pi, and so does a curve, and so does the division which finds the limit of geometric series. Saying “It exists in our mind” is teleological. They exist apart from us, number is just the language we use to understand it. Just like anything else, English and Spanish are two different languages, but they only can work off of shared experience and reality.

Here is new one for the DSM-VI.

The criteria are as follows:

1. Extremely high metaphorical cognition.
2. Extremely unstructured, and often confused with lazy or unsociable.
3. Novel idiolect used only by that person.
4. Proficiency in Math Concepts and Literary concepts, but not in Grammar, Spelling or doing Arithmetic.
5. Unsociable in groups or not good at group activities.
6. Extreme ability to comprehend and communicate big thoughts, but simpler things often get overlooked.
7. Not very good at detail oriented work.
8. IQ above 120.
9. No signs of autism.
10. Often stigmatized by the larger group, so develops a strong sense of independent thought, often leading to miscommunications and confused with cognitive impairment.
11. More likely to remember concepts and relate to the world through them, than specific dates, details or facts.
12. Has a strong sense of equity and justice, and has impeccable ethics.
13. Has high rates of creativity.

Typically, people with Prodigic Disruption seem lazy during class, and don't do well with technicalities. They have heavy child's play and imagination, and typically would rather play pretend than competitive games or sports. So, they excel at high concept and understanding things like psychology, or sociology, literature, or why something like algebra works. They also don't tend to get along with peers, and are isolated from groups, and made fun of by other classmates. And this can hamper their ability to constructively learn, as they receive mostly negative feedback from teachers and peers, instead of honing their abilities and nurturing their giftedness. And since they tend to get minor details wrong a lot, since their brain is thinking about the big picture rather than getting everything in its perfect arrangement, they tend to do bad at math and grammar at the lower levels, but will excel at higher learning. An example might be they may tend to lose against low rated chess players who have become proficient at the game, due to not wanting to memorize positions, but may win against higher rated opponents due to their extreme out of the box thinking and creativity. Or they may fail spelling tests and grammar tests and math tests, but be extremely gifted at forming coherent narratives and story structures, and will often go deeper than most when exploring a concept; or they may be good at forming original and new math formulas, as they tend to understand the "Why" instead of the "How".

[W]hat America is turning into, is “Work first, everything else later.” Which isn’t healthy. It’s been a growing trend for years, but I think it’s intentional. The businesses want more work, because it makes them more money, and they want to squeeze out the arts and culture so that’s all that people do, is work. They’ll even send you half way across the continent on work trips, just to alienate you from your family, cause a divorce, and the children born grow up to be workers too, with no knowledge of the comfort of love, as therapists council you on how to work without feeling suicidal, as they’ll callous you to relationships and teach how to support yourself with “Self Love.” Oh I hate that word. That’s really all it is. Communities don’t make money. Frustrated and half retarded monkeys do, who the only thing they have to live for, is selfishly and for the company.

It's actually not a mess. Quarts, Pints and Gallons are perfect for portioning. Inches and Feet are based off of Cubits, which come from human hands and feet. Yards, Leagues, Furlongs and Miles have their reason for existing, as they're actually intuitive for the way spatial distances work. Pound and Fahrenheit, too, 100 Degrees sounds hot, whereas 37 degrees doesn't, and pounds are a good weight standard based on the Roman Libra. It actually makes people more intelligent, having that. It requires more work to get it right, so it makes it more likely that people will do the math correctly. And it's based off of human things. It's also pretty. Just saying, George Orwell talks about it in 1984, one of his characters are complaining about the metric system, and would prefer pints and quarts. 

It's really based off of human needs, the Imperial System. Like our intuitive way of understanding things, in relation to our bodies. Meters are kind of sterile, but have their use I guess. Everything standardized into base 10. Like a Yard is more fitted to Phi, also, than a Meter. Because it's based on the human proportion, so it aesthetically looks more pleasing. A Mile, also, is more intuitive to human minds because it's based on yards, which are based on proportions made from the human body. It's more humane, and fits our minds better. People are creative, and certain things are fixed better in our minds. Imperial is more poetic.

I mean, actually, it might actually make a difference in the way our furniture and things work, too. Inches and feet are based off the human body, where meters aren't, so it develops more intuitive designs in everything we make.

I mean, for an astronaut in space, Meters might be better... but for a carpenter, trying to make something beautiful, Inches are better. Because it forms exactly to the human body.