Oh Peleg!

Oh, you Neolithic Civilization,
With your bone furniture,
Spread across the world,
Worshipping your Venus.
Even in the Americas
Are you found.
Until, you are not.

Then, there comes the divide.
Oh Peleg! What did you witness!

Soon the Clovis civilization springs up
But, what had happened? Where did 
The old World,---the worshippers of the Titans---
Where did they go? Greek Pantheon,
Your war between gods and Titans.
The eldest Pantheon, remnants are remembered.
Slaughter, Grecia, the Semetic gods!
Canaan, Carthage, Moab,
Your gross Gods will be destroyed.

Thou Swallow

Thou Swallow, you fly within my breadth,
And I ponder,---twice yonder you swoon,---
The curse which shall soon descend upon me.
Yet, thou hast caused my foot to stir
And my ambling to tarry,
So that the carriage which was at my back
Was saved from the other one careening down Front Street.
So, by thy shrill warnings, thou hast caused me to be a blessing
Upon some stranger I nary knew.
For, by spying me, a pedestrian on her port side,
It left just enough time to see the other car
Which travelled at twenty-five knots.
Had I not been there, I know not---
 Perhaps it would have rent her asunder.
I see no other way... but by providence's hand
I walk with blessing, and what would be a curse is turned.

Fairytale

The shadow you are creeps from me;
Eternal utterances, and restless sleep.
I dream of you every night,
The magic you spin to make the demons arise.

You tell me to sit at your feet,
And by thy shadow beneath thee.
I walk for three hundred years
Doing good deeds, voiceless,
And I cannot be cheered.
The songs of the elderberry sings so sweet,
But you view me as if a woman
Falling into a bog filled with leech.
For you envision me as the one
Who cast the bread on the ground
To step on it with my new shoes proud,
But then do I fall into the hell below
And my only hope to turn into a bird and go home?
Or, am I a lad, sailing to Eden
And when I get there, I'm in eternal heaven
Only to run after the beautiful bride
And lose in one day my eternal paradise?

Fairytales I sing to you
Have not a happy ending, oh so very few...
For I admit I have broken my trust
In my own hands, so how do I love?
If my life were Romance would I be Romeo?
If my life were a tragedy, would I be Lear?
If my life were reality, would I be Christian?
If my life were a sitcom, would I be Brandon?

So, give to me at least, my one happy story
And I'll spin a fairytale so pleasant.
For if my life were a fairytale,
Would I survive?
Or would I be the hare who snubbed the hedgehog
And while running my eternal race die?

I don't know.

I Cast My Crown

This Poem is about all my haters
Inspired by Crown the Empire's
"Menace".

You call me a "worthless F*ck"
I ask "Is that what you call love?"
And do you love your brother enough?

When you're alone, and wandering,
And I'm in places you'll never see,
We'll ask each other
Why did God make us free?

And when I look at you
I'm going to know it was your attitude
Which as a teenager, I admit I did have,
But as a grown ass adult, I lost it all, Had
I been like you, a hateful little worm,
I still don't say you're evil
But speak saccharine sweet
Which causes me cancer
Though we will never meet;
Until that day when the stars all will fall
And the sun snuffed out,
My love is ignited for all...
Where will I be?
My verse is so pure?
It proved God has loved me
And you were so cursed?

I still say, I love you my dear,
And if you'd just listen I'll have you some cheer
That if you simply would practice what you say you do preach
You wouldn't be writing so many songs about me.



Native Cave Paintings

https://www.youtube.com/watch?v=oDu2rUoT2NM

Zelinka, Peter. Mysterious Pictographs of the Southwest. YouTube.com, 2021. Web.

The Human Imagination is priceless. It has great potentials for creativity. And even at this early stage in history, it could get very surreal. How ever much this is true, there's still common archetypes in these cave drawings. Giants. Bug creatures. Pinocchios---just humans with elongated noses. The murals were made around 1300AD, from what I understand. Which, at that time, the religions of the Americas had a lot of strange looking figures in it. You can see the Aztec gods and goddesses are very strange. These are no different. However, they might mean something different, which I'll get into.

Very interesting stuff. Human imaginations at work...

So, draw from the imagery common themes in human imagination. The sideways mouth of the giant  3:56  is something I myself have imagined. It's just something that turns up independently in my daily musings. I don't know why. But, there's also a common mythology of a World Tree in both Mayan and Norse cultures, which could have no contact with each other whatsoever. Why do they both have a world tree? I don't know. But, I think certain patterns of subconscious bring those ideas out, because only so much is possible for us to imagine. As great as this is, there's certain limitations on what we can draw, or represent with images.

My favorite image is the negative space where there's a woman 6:04 underneath the armpit of the owl creature. She even gets formed into a body. This is some Grade A art. Definitely among the best I've seen, even for today's standards.

Some other universal images are the Broad Shoulders of the Chiefs. 8:30. When we think of authority, we think of broad shoulders. You have to understand, also, that some of these images utilize negative space to complete the images. I'm looking at one right now, where I can see it's a man and woman, just by the negative space and what's not there. I can see the hair of the woman becoming more defined in the negative space of the image. I can even see faces cleft out of the rock, defined by some of the lines of the paintings (whether by natural erosion, or intentional, I don't know).

Very beautiful. A testament to the human Imagination, and the Logos at work. It's just the possibilities. As much as is here, I don't really see anything new. You know what I mean? There's just a lot of common archetype and symbology and even though some of it is disturbing---the Shadow in all of us is disturbing---what is depicted here is a battle between the light and the dark. Twisted and enigmatic figures are overcome by nature. I think that's the meaning of this, too. It's a fight between subconscious fears and the peace and harmony of the natural and real world. In all estimations, it's a lot like my mythology of Fairyland. A battle between subconscious demons in all their grossness, (Judge not lest you be judged; and remove the log in your own eye before you see to remove the mote from another) and the real, natural and beautiful world.

Poetry Club

I join Poetry Club---
Not really, but let's pretend---

I walk in, and there's pretentious Jackass
Who all the group fawns over.
His art is mediocre, but they all insist he is god's gift to letters.
I show my writing,
And immediately they pounce all over it.
They criticize everything it's done right---
Like the pretentious brown nosers they are--
And like the game I played today,
Of posting in a category---
There is the true artist,
Me,
Lonely, and blowing in the wind.
I'm late to the game.
I'm early for the game.
I do not time my art
Except for the larger picture.
I do not craft my art to be timely.
Rather, I do my art from the sheer joy of doing it.

Some generation will recognize it,
But hopefully it is my own
So I am not one of those unhappy artists who
Never benefited from the Providential Gift of utterance.

As Solomon says,
"There is such a man who labors for wisdom,
"But lo, it goes to another. Vanity, vanity, all is vanity,
"That which man labors for under the sun."

The Classical Head

I'm not much for Picasso---
Yet, my favorite portrait is by Picasso.

It is a woman's head---
The classical head---
Of Olga's, with her Auburn locks
And sumptuous face.
Round, strong jawed,
But thin jawed,
Almost ovular
And not circular...
A strand of hair frames her
In the way of an attractive woman
With her justified sprezzatura. 
Messy, unkept, with a content crease on her lips.
Her eyes are dovey,
And her whole face is drawn
With, I think it is, a couple of threads of pencil.

The artist could, in fact,
Draw a beautiful shape---
The portrait of feminine beauty---
In only three or four masterstrokes of his brush.

How I do hate making poetry like this---
Though, in spirit of Picasso,
I shall make it like this.

I am more of a Raphael---
But like Picasso did,
I can show my proficiency in the era's conventions.

New Philosophy

You are Analytic and Continental.
You read my poem, and say,
"The analytic in me thinks it's good.
"The continental thinks it's 'meh'."
You ask me to tell you my inspiration,
Well, it is precisely that both
Continental and Analytic philosophies
Are sophistic.
And a good epistemology
Is rooted in aligning Phenomenon to Noumenon;
Thereby, I propose a different philosophical school.
It is called "New Philosophy"
Though it is indeed the old philosophy.
For, we were closer to the truth during Plato
Than we were during Hurrels.
And we were closer to the truth during Aristotle
Than we were during Wittgenstein. 

NP Difficulty

I have been watching proofs---
Oh, their poetry is so serene---
And I realize NP difficulty
Is much like a Geometric Proof.
Rather, to solve them, requires
Not one master equation
But solving the difficult variable
By combining other basic theorems
To further build upon to a right and new solution.