Of Theodore Marmaduke Canto II

Alas, the forallies Harpy and Valkyrie     Near assayed and altogether destroyed

The earth, engaging      In the fire art, enraged at everything.

Both being the same brood      One of speckled wing, the other spotted

This their only feigned figure     Of difference, forlorn and now forgotten.

One race bore from the North,      The other race bore from the South

Which was spotted or speckled      Specious it was, so no one knows.

 

The elvish Cur Brutess bore     The wrath, to unleash the elvish brutes

Upon the earth.     Forty thousand etched their way;—

Women nude, with nipple shown     Through shadow light, cloths

Beautiful, to bear their ivory      And ebony skins.

Learned the craft of the Valkyrie      Learned the craft of the Harpy

Bromdun was in the bulks of Alban’s      Hordes. When Brutess’

Snipers shot their shod lit arrows      Felling sure men of Alban’s sortie.

Sixty-thousand, Alban’s men maneuvered     With their steel flashing

Greatly upon shocked earth.     The silver sheaths cutting the gorge

Of the beautiful Elvan curs    Their breasts flapped in weapons brist

Upon the shaved death.     Alban’s men fought sure and brave

Beating back the Elvan onslaught.      Yet, in the battle, Bromdun

Was beaten with a brash blow       Causing he to bruise his borne brain

And ease himself of every      Sin’s epistle. Thus, every man saw Bromdun’s evil.

Bromdun fell, disgraced, digressed,     Like Andrey he fell, dying, dredged.

He was held in the back beds      Where bruised, he was bedded

In captivity for the revelation     Of his capricious repents.

Sin was brought to memory,     Memory left him maimed.

He heard the Lancs Lowing      Landing themselves in the lewd traps.

Bromdun leered, and longed     To have fallen with the long train of troops.

 

He has yet to hear     Whether York had halted.

The Bearwolf sung his songs     But the smell of the strong ashes

Of Lordess Brutess’ battle    Lingered over the battlefield

Like the prison boy,     Starved and pot bellied because of pride.

 

The Harpies cried for war,      The Valkyries cried for war

Bromdun, who had       Lost his heart in battle

Cried for peace;   Ever crying, carelessly.

Longing for Lancaster to Lampoon    York’s lackluster lewdness.

For Omri had omnipresent rule      Over the elvish operatives.

 

Of Theodore Marmaduke Canto I

Canto I

 

A Prince once found       A pauper, poor.

 

Theodore Marmaduke,     Whom Wordsworth maligned,

Spent his life       looking for the greatest lovesongs.

Find he did       when that dumb pauper Doctor wrote his poems

Who dumb for lack of degree      Was a doctor due to his discipline.

Theodore had aligned altogether       With a wicked foe, abrupt

And unabashed as Unferth      Who understood nothing.

 

The Pauper, named “Prince”      Though a titular prince

Came to the Bawth isles of Brittos     An American bold and brazen

Beheld the waves.     Wondered he did at the wheat

For never did he set Flesh       Upon the isle’s forgiving shore.

A town towered tall,       So the Pauper called Bromdun Kratz Nuewfer

Titular in title called       Broomhill Crown New, to talk

His odes. Theodore thought      This thug not a thoroughbred

Thus set out to steal,       By the knowledge of the storm

The Elf jewel,     Thus jeered forth the Ladies of the Sea—

By sending Bromdun to a bawdy      Breadth of time, bereaved of his

Happy present.     Pretending was to pour out prudent truth

That in principle, the odes      Were true, though flesh pretend.

 

The ladies each shared one eye       Shod together lewd, at the head

They possessed power over       The populous sea.

The sisters spoke         “Bromdun Nuewfer, we see strong

“Are you, and your loves       Toward your youthful yens.

“For, with the youthful yens      We wish you to use to

“To call to core memory        Your crude crimes.

“Call to core memory, crude,       We shall also call forth core

“Memories most unusual        Ones of Madoc and Marmaduke.”

Bromdun possessed       A prized arrow and bow.

So shot forth the shod       A flaming tarth shooting from the shaft

To slay one of the three.      Yet, a song misted, and the sea

Slung back, steering strong toward        The skywave.

Bromdun had not a shield       So shimmied up a tree.

The seas flung one        Hundred foot fraught

Washing Bromdun        With the waves

Bromdun stood, harshly stormed       Another wave from the west

Come from Ire’s Land,      Let loose, and levied naught

To tear Bromdun beneath the       Waves brazenly.

 

Sum’d the Chok, the Chok       Who confounded the verse.

The verse was confounded,      And Bromdun was toppled down

Through the ocean’s depth.      For Marmaduke was strong.

Bromdun survived the waves,       So strung his bow one last time.

Strung, and fired the steel shaft         Shodding the arrows sorrowful

At the standing, prostrate beasts.      A prophet was not Bromdun

But a Nethanim he was.       To tell himself the hero

Bromdun had caught Marmaduke        And Madoc. Bromdun murdered no one.

But, Marmaduke and Madoc had.        Thus, the murderous intent was made

To marr Bromdun     But Bromdun had severely beaten

The one eyed threewoman with arrow arrayed       To weaken the armored shebeast.

But the threebeast threw herself       Thrusting forth to break Bromdun.

For Omri,        O’ Thou Theodore Marmaduke

In a fit of rage,        When he raised lies rude to flit

And fraught the minds of         Marmaduke and Madoc.

Thus, Bromdun escaped        When Marmaduke established

That Bromdun was just insane.      But, Bromdun was but

A trickster, who twisted minds       Tricked, and transfixed

In a bed of belied blasts      To bludgeon false prophets

With what he thought false prophecies.       So Omri would forgo

And forget to fight       The forbearing foes.

For Bromdun was but a blighted soul        Given discourse with Dionysus

In his castle. For Dionysus should know       That Israel is free

Therefore, it would be cursed if        Bromdun carried forth in the statues of

Omri, Dionysus, Marmaduke.      For to win, must Bromdun sing—

Yesterday

Yesterday,

As the Beetles said

It seemed so far away.

I believed in yesterday.

 

I wrote my poems

Called myself Jude because I once had prayed

That if I called my self Jude

My fears would go far away.

 

I, as the Beetles said,

Believed in Yesterday.

 

Then they did not go away

When I believed in Yesterday.

Instead they came, and were strong despite the lay

Saying “Why did you just not believe in yesterday?”

 

Like the play I watched

There so British and so bright and gay,

Where happy things were dwelt on to say,

Why I believed in Yesterday.

 

See I’m not the Beetles because I want to be…

It’s just because I wrote my piece.

If markets were to govern me

I would lose what is yesterday.

 

They would say, “You stole my melody,”

They’d say, “You stole my title piece.”

But my stories are a part of me,

They are quotations of a certain way

Of why I believed in Yesterday.

 

Wordsworth, also, knows I wrote the songs

When he wrote of Sauraman,

Because we believed in Yesterday.—

And I have to write and say

That my songs are mine to play

When I believed in Yesterday.

On K-Love

On my radio station

The K-Love emcee said

“Don’t try to paint yourself a masterpiece;—

“Let God paint your masterpiece.”

 

I could understand it,

Perhaps better than she could.

Every masterpiece I had ever written—

Should I have written a single one—

Had been orchestrated by a Word

Whispering somewhere in the metaphysic.

Malapropos or not,

There was the word

For me to use.

It came as natural to me

As breathing.

 

Rather, it was when I strove

For a word, or labored over a meaning

That I could not find one.

Frustrated that I could not understand

Every writer’s plight of having to make the words just right…

I suppose it is why I feel like I’d never struggled with this

Being my identity.

It makes me rare.

Let my ink tell the rest.

How Long I’ve Waited

How long I’ve waited

And nothing has come.

A thousand prayers answered

But they are always the wrong ones.

 

What I ask for pleasure

I do not get.

What I ask for pain,

It comes and haunts me

For a week or two.

 

God sits silent

And laughs at me

His enemy.

Or so I believe

Though God is not my enemy.

I am not His enemy.

 

Rather, every harsh word I utter

Is proven true,

Every sentence and every punishment

I give myself is given weight.

I bear the burden of my sin.

How I wish the LORD would unyoke it from my neck

And loosen the noose of the words I’d uttered.

 

Not like witchcraft,

But rather, like some form of spell

Swirling around my head

That I myself had uttered.

Spies bring it the fruition…

They invade my life.

They listen…

Or is it family members?

Who is it, that listens to me

And brings my most troubled fears to pass?

Not God… for if it were Him

I would have peace.

Rather, the troubling truth

Is that it is not God

But rather my enemies

Are propounding and unraveling this life

Of mine…

Piece by piece.

Love by love.

 

They are replacing everything I love

With wormwood.

Alternative Facts

I came across the most splendid metaphor

About alternative facts.

 

Through history, there comes a way for men

By their various moral presumptions

To assume a new, alternative fact.

Looking through the internet

I saw one call Sam from the Lord of the Rings

The true hero of the story.

 

A clever thought crossed through my mind.

What if the Hobbits and Middle Earth

After several decades of striving

Decided that their culture wasn’t right

And decided to now make Samwise

The lauded hero of the War of the Rings.

We are kin to do it, are we not?

It makes sense.

 

Sam was not crazy.

Sam technically carried the burden to the point

Where it was destroyed.

Gollum technically destroyed the ring

In his lust for it,

By biting off Frodo’s fingers.

But, Sam, also, nurtured Frodo

Through various battlegrounds

Where the Shell Shock

And the corrupting influence of the Ring of Power

Tore Frodo’s mind to shreds.

 

Sam now is lauded the Hero

For Frodo’s disturbed mental state.

And nasty and vicious rumors appear

About how Frodo beat Sam

On the flight of stairs of Cirith Ungol

Leading to the realm of Mordor,

Accused Sam of stealing the ring,

And with all intents and purposes

Desired the ring’s power.

Of course, it would be tempting for future

Human civilizations to laud Sam instead of Frodo.

 

However, Frodo carried the worst burden.

A metaphor for Tolkien’s own battles with PTSD.

After serving in World War I,

Tolkien had to carry the moral burden

Of communicating the evil of what he saw

And the meaning of the War of the Ring.

WWI was the War of the Ring.

And Frodo carried the burden of its meaning.

This is why Sam is not the true hero.

A List of New Literary Devices

1. Ekphrastic Motabilem – Detailing the process of creating a work of art, or describing the process of skilled work. More specifically, utilizing Ekphrasis through describing the art form or skilled work in its process. Otherwise called “Ekphrasis”, but more technically called Ekphrastic Motabilem.

  1. Example: “Go, Ploughman, Plough” By Joseph Campbell
  2. Example: Jeremiah 18:4 “And the vessel that he made of clay was marred in the hand of the potter: so he made it again another vessel, as seemed good to the potter to make it.”

2. Hyperloxy or pl. Hyperloxa – An oxymoron expressed through hyperbole, to especially emphasize the last statement and make it stronger than the previous statement, which otherwise should be stronger.

  1.  1. Example: “He is not very wise, but has an unrivaled wit.”

3. A Vulgar – When taking something that usually isn’t vulgar, or even taking a Euphemism, and making it vulgar through tone.

  1.  1. Example: From Wordsworth’s “Transubstantiation”: “And, while the Host is raised, its elevation/ An awe and supernatural horror breeds,”

4. Cantor – When a work breaks into a text with a voice dissimilar to the one established throughout the work, intentionally or unintentionally. Especially where it can be readily noticed. Derived from the word “Cantor” a responsive hymn, where the solo is the break in voice, and the choir is the established voice.

  1. Example:  The Gospel of John as opposed to the Synoptic Gospels.
  2. Example: The Egyptian Maid or White Doe of Rylstone by Wordsworth, as opposed to the rest of his body of Work, reflects stories in the forms of Southey or Coleridge.
  3. Example: The Last few segments of The Riddle in the Sea, by B. K. Neifert, where the form breaks to create an added effect of suspense.
  4. Example: The use of “Mirkwood” in Tolkien’s The Fall of Arthrur.

5. The Objective Other – An objective characterization where an artist portrays what appears to be a specific individual, yet the individual portrayed in the piece is meant to apply generally. Not to be confused with a Character; however, some characters are examples of The Objective Other.

  1. Example: Anna Karenina in Tolstoy’s titular piece.
  2. Example: George Wickham in Jane Austen’s Pride and Prejudice.
  3. Example: Christian in John Bunyan’s Pilgrim’s Progress.

6. Nominal Symbolism – A kind of symbolism where the name of a prominent historical figure, town or god is used to represent an archetypal story. Sometimes where the symbol relates to a specific individual.

  1. Example: “Bel boweth down, Nebo stoopeth, their idols were upon the beasts, and upon the cattle: your carriages were heavy loaden; they are a burden to the weary beast.” King James Bible Isaiah 46:1
  2. Example: “Tell me, Lydia, by all the gods I beg you, why you are in such a hurray to destroy Sybaris with your love.” Horace. The Complete Odes and Epodes. Translated by David West. Oxford University Press, 2008. (pp. 32.)
  3. Example: Xenophanes, you poetically and surgically/Weave your origins of doubt.

More will be added to this list, as I discover them.

The Taboo Topics

Homosexuality is a sin.

Sex outside of marriage is a sin.

Sodomy is a sin.

Sadomasochism is a sin.

All other religions except Christianity, are sins.

Debates are sin.

Strife is sin.

Envy is sin.

The American dream, is idolatry.

Entertainment is idolatry.

Idolatry is sin.

Gambling is sin.

Eating too much is not going to send you to hell… it will make you poor.

Being lazy is not going to send you to hell… it will make you poor.

Drinking alcohol beyond one serving, is a sin.

Bloody Knuckles, is a sin.

Being unkind to homosexuals, is a sin.

Being unkind to Transgenders, is a sin.

Telling someone they might go to hell, is not a sin.

Hating your brother, is a sin.

Back Talking your father, is a sin.

So with anyone who is older than you, back talking is a sin.

Correcting someone when they are putting themselves or others in danger, is not a sin.

Telling someone that their opinion is wrong, is not a sin.

Believing in Fairy Tales, Conspiracy Theories and being radical, is all sin.

Rebelling against your government—even if it’s Hitler’s Germany—is a sin.

Serving in the military, if you killed with the sword, you must die by the sword.

Serving as a County Corrections Officer, if you led into captivity, you must go captive.

Disobeying police, is a sin.

Disrespecting political officials, even ones we don’t like, is a sin.

Being politically active, and trying to persuade your government, is not a sin.

Trying to cause an insurrection, even against Rome, is a sin.

Failing to listen to someone—no matter how wrong—is a sin.

Speaking too much is a sin.

Believing that you have prospered yourself, is a sin. Even worth damnation.

Being cruel to the homeless, or thinking they deserve their lot, is a sin.

Thinking that you eat because you work, is a sin.

Going into debt, is a sin.

School is a sin, unless you have a reason to go that will edify the church.

Sex fantasies are sin.

Swearing is sin.

Pretending to kill someone make believe is a sin.

Making stories or essays to teach morals, is not a sin.

Enjoying things, is not a sin.

Having hobbies are not a sin.

Reading books to edify and get closer to God is not a sin.

But, it is a sin if these things are done for selfish reasons.

Listening to music is not a sin, unless it is being done for selfish reasons.

Being selfish, in any way, is a sin.

Hating, slandering, scoffing or being mean, is a sin.

Preaching to eat is a sin.

Prophesying to eat is a sin.

Manipulating people with religion to get what you want, is a sin.

 

Any sin you will go to hell for.

This isn’t by any means a comprehensive list.

Just a small taste of what you’ll be judged for.

 

And we don’t get Jesus just so we can continue in these sins.

At some point, it will all be whittled away,

Little by little, until you have none.

That is what God does in every Christian’s life.

You will not stand seeing it in yourself,

If you’ve had a true conversion.

The most flagrant homosexual,

Will by very hatred of the sin

Stop, even if it means ripping out her eyes.

Only by Christ’s power, through Prayer

Through fasting from each of these little things

Does a heart become untroubled

Does a conscience become unburdened

Does depression, anxiety, and heartache go away.

 

Do not think I give a sugar coated pill.