- Ekphrastic Motabilem – Detailing the process of creating a work of art, or describing the process of skilled work. More specifically, utilizing Ekphrasis through describing the art form or skilled work in its process. Otherwise called “Ekphrasis”, but more technically called Ekphrastic Motabilem.
1. Example: Jeremiah 18:4 “And the vessel that he made of clay was marred in the hand of the potter: so he made it again another vessel, as seemed good to the potter to make it.”
2. Example: “Go, Ploughman, Plough” By Joseph Campbell
2. Hyperloxy or pl. Hyperloxa – An oxymoron expressed through hyperbole, to especially emphasize the last statement and make it stronger than the previous statement, which otherwise should be stronger.
1. Example: “He is not very wise, but has an unrivaled wit.”
3. A Vulgar – When taking something that usually isn’t vulgar, or even taking a Euphemism, and making it vulgar through tone.
1. Example: From Wordsworth’s “Transubstantiation”: “And, while the Host is raised, its elevation/ An awe and supernatural horror breeds,”
4. Cantor – When a work breaks into a text with a voice dissimilar to the one established throughout the work, intentionally or unintentionally. Especially where it can be readily noticed. Derived from the word “Cantor” a responsive hymn, where the solo is the break in voice, and the choir is the established voice.
- Example: The Gospel of John as opposed to the Synoptic Gospels.
- Example: The Egyptian Maid or White Doe of Rylstone by Wordsworth, as opposed to the rest of his body of Work, reflects stories in the forms of Southey or Coleridge.
- Example: The Last few segments of The Riddle in the Sea, by B. K. Neifert, where the form breaks to create an added effect of suspense.
- Example: The use of “Mirkwood” in Tolkien’s The Fall of Arthrur.
More will be added to this list, as I discover them.